Abney, Charles L. “Playing in the Yard: The Garden Environment and Works of Nellie Mae Rowe Reflect the Story of the African-American South.” Raw Vision 106 (Summer 2020).
Alexander, Judith. Nellie Mae Rowe: Visionary Artist, 1900–1982. Atlanta: Southern Arts Federation, 1983.
Armstrong, Linda Connelly, director and producer. Nellie’s Playhouse. Memphis, TN: Center for Southern Folklore, 1983. Videocassette. 13 min.
Arnett, William S., and Paul Arnett. Souls Grown Deep, Vol. 1; African American Vernacular Art of the South: The Tree Gave the Dove a Leaf. Atlanta: Tinwood Books, 2000.
Arnett, William S., and Paul Arnett. Souls Grown Deep, Vol. 2; African American Vernacular Art: Once That River Starts to Flow. Atlanta: Tinwood Books, 2001.
Augustine, Judith Alexander. “Nellie Mae Rowe: A Photo Essay, Vinings, Georgia, March 1971.” https://www.judithalexander.org/about-nelliemae-rowe/nellie-mae-rowe-a-photo-essay/.
Barrett, Didi. Muffled Voices: Folk Artists in Contemporary America. New York: Museum of American Folk Art, 1986.
Brown, Charles, producer. Nellie Mae Rowe: Folk Artist—Vinings, Ga. Charleston Communication Center, 1975. Videocassette. 13 min.
Burgard, Timothy Anglin, ed. Revelations: Art from the African American South. San Francisco: Prestel, 2017.
Cerny, Charlene, and Suzanne Seriff. Recycled, Re-Seen: Folk Art from the Global Scrap Heap. New York: Harry N. Abrams in association with the Museum of International Folk Art, 1996.
Cohen, Joyce. “Home Sweet Home: A Feminist Look at Nellie Mae Rowe.” Lecture given at the High Museum of Art, Atlanta, March 11, 2010. https://youtu.be/3IwxL3T8Rw8.
Conwill, Kinshasha Holman. “In Search of an ‘Authentic’ Vision: Decoding the Appeal of the Self-Taught African-American Artist.” American Art 5, no. 4 (October 1, 1991): 2–9.
Cooke, Lynne. Outliers and American Vanguard Art. Chicago: University of Chicago Press, 2018.
Crown, Carol, Cheryl Rivers, and Charles Reagan Wilson, eds. The New Encyclopedia of Southern Culture; Volume 23: Folk Art. Chapel Hill: UNC Press Books, 2013.
Foreman, Kamilah, ed. My Soul Has Grown Deep: Black Art from the American South. New York: Metropolitan Museum of Art, 2018.
Gordon, Beverly. The Saturated World: Aesthetic Meaning, Intimate Objects, Women’s Lives, 1890–1940. Knoxville: University of Tennessee Press, 2006.
Gruber, J. Richard, and Xenia Zed. Nellie Mae Rowe. Augusta, GA: Morris Museum of Art, 1996.
Gundaker, Grey. “Tradition and Innovation in African-American Yards.” African Arts 26, no. 2 (1993): 58–96. https://doi.org/10.2307/3337133.
Gundaker, Grey, and Judith McWillie. No Space Hidden: The Spirit of African American Yard Work. Knoxville: University of Tennessee Press, 2005.
Jentleson, Katherine. “Surveying the Presence of Self-Taught African American Artists in American Museums.” In Routledge Companion to African American Art History, edited by Eddie Chambers, 264–73. New York: Routledge, 2020.
Jentleson, Katherine. “TedX Georgia Tech: Where Does Great Art Come From?” April 2017. https://www.youtube.com/watch?v=duSFrKOy-tc.
Johnson, Jay, and William C. Ketchum Jr. American Folk Art of the Twentieth Century. New York: Rizzoli International Publications, 1983.
Klacsmann, Karen Towers. “Nellie Mae Rowe (1900–1982).” In New Georgia Encyclopedia. Article published June 10, 2005; last modified February 14, 2016. https://www.georgiaencyclopedia.org/articles/arts-culture/nellie-mae-rowe-1900-1982.
Kogan, Lee. The Art of Nellie Mae Rowe: Ninety-Nine and a Half Won’t Do. New York: Museum of American Folk Art in association with University Press of Mississippi, 1998.
Laffal, Florence, and Julius Laffal. American Self-Taught Art: An Illustrated Analysis of 20th Century Artists and Trends with 1,319 Capsule Biographies. Jefferson, NC: McFarland & Company, 2003.
Lax, Thomas J. “When the Stars Begin to Fall: Imagination and the American South.” In When the Stars Begin to Fall: Imagination and the American South. New York: The Studio Museum, 2014.
Livingston, Jane, and John Beardsley. Black Folk Art in America, 1930–1980. Jackson: University Press of Mississippi and the Center for the Study of Southern Culture for the Corcoran Gallery of Art, 1982.
Longhauser, Elsa, Harald Szeemann, and Lee Kogan. Self-Taught Artists of the 20th Century: An American Anthology. San Francisco: Chronicle Books in association with the Museum of American Folk Art, 1998.
Majeed, Faheem. Post Black Folk Art in America, 1930–1980–2016. Chicago: Intuit Center for Intuitive and Outsider Art, 2017.
Maresca, Frank, and Roger Ricco. American Self-Taught: Paintings and Drawings by Outsider Artists. New York: Alfred A. Knopf, 1993.
Mital, Ruchi, and Petter Ringbom, directors. This World is Not My Own. Opendox. Distributor, release date, and length forthcoming.
Patterson, Tom. ASHE: Improvisation & Recycling in African-American Visionary Art. Winston-Salem, NC: Diggs Gallery at Winston-Salem State University, 1993.
Percy, Ann, and Cara Zimmerman. “Great and Mighty Things”: Outsider Art from the Jill and Sheldon Bonovitz Collection. Philadelphia: Philadelphia Museum of Art, 2013.
Perry, Regenia. What It Is: Black American Folk Art from the Collection of Regenia Perry. Richmond: Anderson Gallery, Virginia Commonwealth University, 1982.
Rosenak, Chuck, and Jan Rosenak. Museum of American Folk Art Encyclopedia of Twentieth-Century American Folk Art and Artists. New York: Abbeville Press, 1990.
Sellen, Betty-Carol, with Cynthia J. Johanson. 20th-Century American Folk, Self-Taught, and Outsider Art. New York: Neal-Schuman Publishers, 1993.
Thompson, Krista. “A Sidelong Glance: The Practice of African Diaspora Art History in the United States.” Art Journal 70, no. 3 (2011): 6–26.
Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983.
Trechsel, Gail Andrews. Pictured in My Mind: Contemporary American Self-Taught Art from the Collection of Dr. Kurt Gitter and Alice Rae Yelen. Jackson: University Press of Mississippi in association with Birmingham Museum of Art, 1995.
Tuchman, Maurice, and Carol S. Eliel. Parallel Visions: Modern Artists and Outsider Art. Los Angeles: Los Angeles County Museum of Art; Princeton University Press, 1992.
Two Black Folk Artists: Clementine Hunter and Nellie Mae Rowe. Oxford, OH: Miami University Art Museum, 1987.
Umberger, Leslie. Sublime Spaces and Visionary Worlds: Built Environments of Vernacular Artists. New York: Princeton Architectural Press, 2007.
Wadsworth, Anna. Missing Pieces: Georgia Folk Art, 1770–1976. Atlanta: Georgia Council for the Arts and Humanities, 1976.
Wahlman, Maude Southwell. “Religious Symbols in Afro-American Folk Art.” New York Folklore XII, nos. 1–2 (1986): 1–24.
Wahlman, Maude Southwell. Signs and Symbols: African Images in African-American Quilts. New York: Studio Books in association with the Museum of American Folk Art, 1993.
Wardlaw, Alvia J. Black Art: Ancestral Legacy; The African Impulse in African American Art. Dallas: Harry N. Abrams, 1990.
Westmacott, Richard. African-American Gardens and Yards in the Rural South. Knoxville: University of Tennessee Press, 1992.
Wilson, Charles Reagan, and William Ferris, eds. Encyclopedia of Southern Culture. Chapel Hill: University of North Carolina Press, 1989.
Yelen, Alice Rae. Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present. New Orleans: New Orleans Museum of Art, 1993.
Young, Jason R. Rituals of Resistance: African Atlantic Religion in Kongo and the Lowcountry South in the Era of Slavery. Baton Rouge: Louisiana State University Press, 2008.